Retelling and Repetition

Towards a Literary History
of Derivation

Why are contemporary readers so fascinated by retellings of the Iliad or Beowulf? And why have retellings of premodern – ancient and medieval – texts not been taken seriously as a literary practice to date?

In Derivate, we investigate the striking surge of retellings in contemporary English literature by setting the contemporary texts in a productive dialogue with practices of writing in the Middle Ages. The medieval period offers a perfect point of departure for theorizing retellings as medieval literature was inherently derivative and medieval authors had developed a system for being inventive within a system of derivations. Taking issue with the privileging of that which is new in literary history, Derivate proposes a new paradigm for literary history: literary history as a history of derivations.

About the Project

Starting from the premise that retelling is a trans-historical concept, the project sheds new light on the processes of reception that find their expression in the current interest in and relevance of pre-modern material.

The project triangulates (classical) reception studies, medieval literary studies as well as literary theory, especially postmodernist theory, and scrutinizes the practice of retelling premodern (ancient and medieval) texts in contemporary English literature. Derivate thus develops a theory of retelling based on the intense engagement and critical comparison with medieval practices of retelling in order to map the wider cultural, historical, and literary contexts and implications of the current trend in retellings of classical and medieval texts (audiences, canon, literary market) as a springboard for developing a literary history of derivations.

Activities

TALK July 21, 2026
Anna-Rose Shack

‘[T]hey never asked about the women’: Violence, Care, and Dramatising the Trojan War Mythos

– LITCULT COLLOQUIUM | University of Freiburg
TALK July 7, 2026
Anna-Rose Shack

Caring About/Caring With: Reparative Retelling and Contemporary Dramatisations of the Trojan War Mythos

– RESEARCH SEMINAR | Department of Classical Philology, University of Freiburg
TALK June 25, 2026
Anna-Rose Shack

Trespassing: A Monologue

– RELIEVING SORROW, MITIGATING DISTRESS IN THE EARLY MODERN ANGLOPHONE WORLD | Université de Montpellier Paul-Valéry
TALK June 23, 2026
Eva von Contzen

Telling Again, Anew, Against: Repetition and Literary History

University of Frankfurt
TALK June 13, 2026
Anna-Rose Shack

Directing The War monologues: Retellings of Ovid’s Heroides

– TEACHING WITH OVID: AN ONLINE PEDAGOGY SYMPOSIUM WITH THE INTERNATIONAL OVIDIAN SOCIETY AND SOCIETAS OVIDIANA | Online
TALK June 6, 2026
Matteo Schiavone

What am I then?: Trans Negative Affects in John Keats’s The Fall of Hyperion

– KEATS’S CIRCLE | The Keats Foundation, Keats House and Museum

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